Y todas van en este sentido. Otra -
http://www.soundtrackdreams.com/2018/03/soundtrack-review-red-sparrow-james-newton-howard-2018/

“Red sparrow” is a long score and the way James Newton Howard wrote it makes it feel even longer. It swirls endlessly in a hypnotic way but I accept this because it’s simply perfect, quiet orchestral music. It’s a dark and elegant composition, stunningly beautiful at times, as beautiful as the image of my loved one entering the room dressed in the most heart stopping long black dress for a special and exquisite event. This album is a masterclass in tense textural scoring but what sets it apart from other thriller scores is that JNH does it with melodies, with emotion and nobody will be able to complain that classical film music is dead because everybody writes drony sound effects. A master like James Newton Howard is still here to restore faith in film music and I bask in this reflective, velvety sound. He doesn’t need more than a few quiet, hesitant, scarred string motifs to occasionally break the flow like a pair of bright eyes suddenly opened in the dark. I enjoyed “Red sparrow” and with every listen I find more merits in it. And mark “Didn’t I do well?” as a cue that will be on my end of the year list for the best cues of 2018.